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  <url>
    <loc>http://www.eileenroscina.com/film</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-30</lastmod>
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      <image:title>Film - Downwind</image:title>
      <image:caption>2025 16mm and Video 6:52 Rendering the invisible, this film is a visual poem abstracting vulnerability, breath and resilience in a world filled with air pollution.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1670535183549-8CXUI3OS1PX1W9ZNEI6T/image.jpg</image:loc>
      <image:title>Film - Seed Summer Tomb</image:title>
      <image:caption>2021 16mm, video (color, b+w), VHS family archives 17:50 Last winter, I lost my beloved grandmother. A few days later I found out that I was pregnant with my first child. My grief was tempered by excitement for what was to come. I could not help but speculate that the timing of her passing spirit had something to do with my child’s conception. This experimental film is based on the only recorded interview I did with her. Seed Summer Tomb investigates temporal echoes, maternal cycles, the metamorphosis of the female body, changing forms of energy, and the thresholds of consciousness.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1759254513039-7KQUQL8NIX9Q34WN7AU9/image-asset.png</image:loc>
      <image:title>Film - Downwind</image:title>
      <image:caption>2025 16mm and Video 6:52 Rendering the invisible, this film is a visual poem abstracting vulnerability, breath and resilience in a world filled with air pollution.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1711513668231-PUUIYGJDYGMCF5N55MHC/image-asset.jpeg</image:loc>
      <image:title>Film - LIMEN</image:title>
      <image:caption>2023 Digital Animation and 16mm 2:57 A limen is a sensory threshold of a physiological or psychological response. In this short film, Roscina applies this concept to the abstraction of a changing environment. At what point will the perception of these changes become strong enough to elicit change? Utilizing mattes and archival footage these composited elements are transformed into a final work that explores environmental melancholia, complacency and the complexity of these issues.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1711512861775-DPWZP3F2RPJ5O9440CM2/image-asset.jpeg</image:loc>
      <image:title>Film - Crystallize</image:title>
      <image:caption>2022 16mm and video 5:20 Illuminating varying temporalities of memory and employing durational aesthetics, Crystalize works against a linear timeline, exploring how memories are formed—or crystalize—and are retained. Against a backdrop of temporal polyphony, time is inscribed very differently in the materials of the bubbles and the quartz: echoing short term memory recall and deep recollection, respectively.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1711519115053-53RL9KAOF1VTZGFWY2S8/image-asset.png</image:loc>
      <image:title>Film - Burnt Tips</image:title>
      <image:caption>2022 16mm 2:18 This short film is composed entirely of light-leaked, “unusable” 16mm film scraps, which in the editing room would normally be trimmed off and discarded. This recycled artwork maintains interest in calling its own material “useful” rather than refuse—bridging the binaries between waste and wanted. The result is a time-based search for aesthetics in the obscured, that which is fleeting and the non-visible.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1711511626101-0E7X9OF0723WRGVIUDPN/image-asset.jpeg</image:loc>
      <image:title>Film - All that Digging</image:title>
      <image:caption>2022 16mm, video (color), VHS family archives 9:16 Resurfacing her own family home movies, Roscina made this work during the transition to new motherhood and its content traverses across time from her childhood to the early weeks with her own son. All that Digging, a sort of visual lullaby, touches on the less frequently discussed melancholy of motherhood, and the grief that can come from relinquishing parts of pre-parenthood life. Roscina explores the tension between being enclosed by the nest of domesticity, the fleetingness of this volatile yet precious time, and what can be gained through the act of letting go.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1711512319637-Q4ISI8NHOW9MYIDF53AJ/image-asset.jpeg</image:loc>
      <image:title>Film - Chrysalis</image:title>
      <image:caption>2022 16mm, Super 8, animated paper collage 3:39 Through the eyes of a sleep deprived mother, Chrysalis is a trance-like journey spiraling through the vivid but ephemeral levels of hypnagogia to night’s oneiric center, then contracting back again to wakefulness. During sleep, the “chrysalis” is the intermediate phase of enclosure where inner and outer worlds of consciousness meet—facilitating a sheltered stage of internal growth and change. While deep sleep and vivid dreams remain a far cry for those with sleep training babies, this liminal state of dreaming is a further metaphor for the myriad oscillations of parenthood itself.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1712748841463-XTZL20RH8Z0HXZ8FROZ4/image-asset.png</image:loc>
      <image:title>Film - Seed Summer Tomb</image:title>
      <image:caption>2021 16mm, video (color, b+w), VHS family archives 15:25 A past winter, I lost my beloved grandmother. A few days later I found out that I was pregnant with my first child. My grief was tempered by excitement for what was to come. I could not help but speculate that the timing of her passing spirit had something to do with my child’s conception. This experimental film is based on the only recorded interview I did with her. Seed Summer Tomb investigates temporal echoes, maternal cycles, the metamorphosis of the female body, changing forms of energy, and the thresholds of consciousness.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1711514946559-8NRQAMTY8VAZQPKL3UV9/image-asset.jpeg</image:loc>
      <image:title>Film - Distilled</image:title>
      <image:caption>My short film Distilled is grounded in the way that we form and recall memories. It is an attempt to take a home movie and distill it down to its essence. I am interested in going beyond the notion of freezing time as in a photograph, but instead layering time to uncover a time based video’s deeper character. The entire film is based off of a short clip of my son Sylvan laughing, spinning and falling down, which is seen in the first section of the film. The second section uses a visual patchwork synthesizer called Max MSP to randomize the frames and audio from the original clip every quarter second. I then took these hundreds of frames and layered them on top of eachother in the timeline, which resulted in the third section. The fourth and final section consists of further layering the audio into a 1 second long gesture and distilling down the color of the videos to the “median color”. What is heard are all of the sounds that were in the original clip, all at once. In each section I am breaking down the original video the way that time might break down or alter a memory. I am attempting to uncover the essence of this short clip, distilling it down to its most basic form, be it abstracted. As I have layered these hundreds of clips, I am further commenting on the ways our photo ‘memories’ are uploaded and stored in the cloud. The enormous quantity of photos and ability to rapidly find them can sometimes result in a blur when remembering, which is the conclusion my film draws. In my film I have established a timeline that is not horizontal, but vertical.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1612919812440-EU2F6XPJUL8Q32U9ZQMG/image-asset.png</image:loc>
      <image:title>Film - In the Yards</image:title>
      <image:caption>In the Yards is a short portrait film about the historic stockyards at the National Western Stock Show. While dormant for many months of the year, the stockyards come alive every January with unbelievable force -- housing and hosting cowboys, characters and creatures from all walks of life. 2019 Resident Artist Eileen Roscina spent every day of the Stock Show itself, as well as the weeks before and after, observing and documenting life in the yards. The film was shot on 16mm film, and features a soundtrack with an original musical composition. (2020) 16mm</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1540835220946-G1ZLR9OOOYLXWBLAD5QZ/Screen+Shot+2018-10-29+at+11.45.40+AM.png</image:loc>
      <image:title>Film - Hireath</image:title>
      <image:caption>Hireath is a Welsh word with no direct English translation. It addresses a deep sense of nostalgia and homesickness, while considering extinction and the climate changing before our eyes. Hireath is having a deep longing for the place where our spirit lives or a place we can no longer go back to. (2018) 16mm</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1541700463827-6XQK3TA93PVME8U6XMOI/image-asset.jpeg</image:loc>
      <image:title>Film - On the Tip of My Tongue</image:title>
      <image:caption>Using Encyclopedia Britannica Archival Footage this film tests the limits of the human brains bandwidth and ability to recall. Is access to quick information causing our memory to atrophy? What is the impact of technology on our ability to form knowledge? (2018) video</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1395897196005-DZWGL6KL0KH1FQ3WK6M1/Screen+Shot+2014-03-26+at+11.11.35+PM.png</image:loc>
      <image:title>Film - Brown and Holy</image:title>
      <image:caption>A visual postcard, shot during a cross-country bicycle ride--viewed through my grandmother’s eyes and her unscripted narration; memory, mobility, and immobility emerge as themes. Super-8</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1576095986332-PC39N2Y90T1RJW7YJUR5/image-asset.jpeg</image:loc>
      <image:title>Film - Nothing Ever Seems to Work Out for Me</image:title>
      <image:caption>This 16mm optically printed film playing on a looper touches on the idea of frame lines and what is outside of the frame of a photo. This piece is a very slow zoom-out on a relatively static image exploring the idea of a prolonged perception shift and increased narrative potential as more information slowly becomes available. (2019, silent) 16mm</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1493093772751-RDFASLVTRCALRO3C4S6Z/image-asset.jpeg</image:loc>
      <image:title>Film - This Person Is...</image:title>
      <image:caption>This film draws from the Structuralist Film movement of the 1960s, and uses Morse Code to spell out sentences depicting the feelings of the woman on screen. Using dots (2 frames) and dashes (5 frames) animated postures create "words" that illustrate emotions like sadness, excitement, anger. (2014, silent) 16mm</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1395897939303-9VDB389D1E4G6KT06C60/Screen+Shot+2014-03-26+at+11.25.04+PM.png</image:loc>
      <image:title>Film - La Petite Mort</image:title>
      <image:caption>A meditation on the divine, orgasms, and awakening through loss. (2009, silent) 16mm</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1395936613064-34KWMJQZMN9246L35S48/Picture+1.png</image:loc>
      <image:title>Film - La Luz Del Perdon</image:title>
      <image:caption>Hand processed and hand-manipulated, this work translates the spectrum of emotions felt when presenting personal gender-fluid sexuality and confronting heteronormative expectations. Utilizing symbolism, abstract imagery, reconstructed memories and family footage, this personal documentary is also a rumination on forgiveness. (2009) 16mm</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1592588841367-6TFY841HPMY72E858UVZ/image-asset.jpeg</image:loc>
      <image:title>Film - Arrive Immediately, Retreat Slowly</image:title>
      <image:caption>Regarding the ineffable, the narrative of this film does not exist on screen, but instead exists in the act of the viewer watching the montage. The sequence of the shots does not lead to a conclusion, but instead proposes the actual and present moment and offers open poetic articulations of vision as the narrative experience. Shot on location in Ireland and Oaxaca, Mexico. (2016, silent) 16mm</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1592588887532-DUJTK7CDM9RHVN7E0ELP/image-asset.jpeg</image:loc>
      <image:title>Film - From Away</image:title>
      <image:caption>Filmed in "Down-east" Maine, this film shot from the perspective of an outsider looking into an intimate, rural environment. A foreigner often referred to by locals as being "from away". (2015) 16mm</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1592589062342-VCUGTMHGYUK5YW6AXY6L/image-asset.jpeg</image:loc>
      <image:title>Film - What I Say and What I Mean</image:title>
      <image:caption>Animated self portrait of intaglio prints exploring the idea of misunderstanding and misrepresenting the self. (2016, silent) animated intaglio prints</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1395936767929-BREDOW6HW7ZYIMBUKUZC/Screen+Shot+2014-03-27+at+10.12.29+AM.png</image:loc>
      <image:title>Film - Grace and Exhibition</image:title>
      <image:caption>A day in Dumbo. 2008 16mm</image:caption>
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      <image:loc>https://static1.squarespace.com/static/53288632e4b0d58e0bb4946c/5331005ce4b0db510e3f3000/5b7e29912b6a28804347a3b4/1759254563990/</image:loc>
      <image:title>Film</image:title>
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      <image:loc>https://static1.squarespace.com/static/53288632e4b0d58e0bb4946c/5331005ce4b0db510e3f3000/66039cd21fd8860984400988/1759254563994/</image:loc>
      <image:title>Film</image:title>
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  </url>
  <url>
    <loc>http://www.eileenroscina.com/illustration</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-09-21</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1549484359918-P2W2MCFXW4LS4BJJG5LP/unnamed.jpg</image:loc>
      <image:title>Illustration - Guadalupe</image:title>
      <image:caption>Gouache, Gold Pigment, Thread 2019 8.5 x 11”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1549484359918-P2W2MCFXW4LS4BJJG5LP/unnamed.jpg</image:loc>
      <image:title>Illustration - Guadalupe</image:title>
      <image:caption>Gouache, Gold Pigment, Thread 2019 8.5 x 11”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1572213410733-YEQLORK9Y31PDBB50K9K/IMG_2729.jpeg</image:loc>
      <image:title>Illustration - Bower Bird</image:title>
      <image:caption>Hand Colored Etching 16” x 20” 2019</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1476671507997-36BPV5Y71C0LG5U3K1QL/Brassicaoleracea.jpg</image:loc>
      <image:title>Illustration - Brassica olerace</image:title>
      <image:caption>Watercolor 11x14” c. 2016</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1525445164335-UC5P2ECRXD7WKDKWPB79/UteSpiritTreeAcademy.jpg</image:loc>
      <image:title>Illustration - Ute Prayer Tree - Pinus ponderosa</image:title>
      <image:caption>Polymer Etching 22x14” 2018</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1508947162781-GDIHXC8TBKVJXQ5KJ8N9/Apples+Watercolor.JPG</image:loc>
      <image:title>Illustration - Dwindle (detail)</image:title>
      <image:caption>Watercolor and Cut Paper 22x30” (2017)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1508468287300-4LKOVL59BMITLQL9X223/Cannabils+Illustration.jpeg</image:loc>
      <image:title>Illustration - Cannabis Sativa</image:title>
      <image:caption>Colored Pencil 2017 12 x 12” Cannabis: A Visual Perspective Museum of Natural History, University of Colorado. Boulder, CO Colored Pencil</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1485448841878-7319L53GJFG9S8MPZ853/RootsForPrint.jpg</image:loc>
      <image:title>Illustration - Roots</image:title>
      <image:caption>Watercolor 11 x 14”” (2017)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1582136988935-BDC0U0ZXU9QHXOV1HDFC/image-asset.jpeg</image:loc>
      <image:title>Illustration - Burned: Macro to Micro</image:title>
      <image:caption>Burned paper (2016) Three 15"x15" panels</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1469667920651-D7SRFNEBYOZS6CE7G6R3/pico.jpg</image:loc>
      <image:title>Illustration - Pico de Gallo</image:title>
      <image:caption>Watercolor and Ink 11 x 14” 2016</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1461179493737-Z2WJJ3DZWU05OZQ8PEJ8/Eileen+Richardson+2.jpeg</image:loc>
      <image:title>Illustration - San Pedro Cactus</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1469667517865-80TFEC90AULBRJOLMP1L/MAIZE.jpg</image:loc>
      <image:title>Illustration - Maize</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1582136488633-RCCVFUBO772EXFSS372T/image-asset.jpeg</image:loc>
      <image:title>Illustration - Cosmo: Summer, Fall, Winter</image:title>
      <image:caption>Botanical Illustration, Pressed Flower, Cut Paper (2016)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1508469811085-GX1JYAFDPLRXAVY5TMR0/Eileen+R+Jewel+bo+%282%29.jpg</image:loc>
      <image:title>Illustration - Thai Flavors</image:title>
      <image:caption>Colored Pencil (2017)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1508468487493-YEFG5ENKR2JO4UEVVQ7I/Banana+Flower+final.jpg</image:loc>
      <image:title>Illustration - Banana Flower</image:title>
      <image:caption>Watercolor (2017)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1448249258213-W9GL09MZZXLQC3A9HFPU/image-asset.jpeg</image:loc>
      <image:title>Illustration - Velvet Leaf Plant</image:title>
      <image:caption>Abutilon theophrasti</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1476671624286-7DFHHZ04K5B9XKBB4NQR/Fancy+Boots.jpg</image:loc>
      <image:title>Illustration - Chicken Portrait</image:title>
      <image:caption>graphite  c. 2016</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1469666032801-GPBCA37SRESGSTJTGB6F/Sarahlandscape.jpg</image:loc>
      <image:title>Illustration - February</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1469666356327-1LB9GIWHUORBQFFCB7CA/Lemon%231.jpg</image:loc>
      <image:title>Illustration - Lemon #1</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1446769377708-A20CCNNBN5L8IQLFSKUW/image-asset.jpeg</image:loc>
      <image:title>Illustration - Dissolve</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1446768753863-RLVVYZKYUJAJUFAE6W26/Lasso.jpeg</image:loc>
      <image:title>Illustration</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1446769469917-XBNMYDRG9IE4MA0UND4M/El+Topo+1.jpeg</image:loc>
      <image:title>Illustration - El Topo</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1446768772287-WP3L2OXUOCOSW7RR0Z5R/image-asset.jpeg</image:loc>
      <image:title>Illustration - Opuntia opportune</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1446768699025-IFEAJ824NOP7Z8IXDT2V/image-asset.jpeg</image:loc>
      <image:title>Illustration - New Canadian Flag</image:title>
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      <image:title>Illustration - Pizzelle Cookie Receipe</image:title>
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      <image:title>Illustration - White Sands Slow Crawl</image:title>
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      <image:title>Illustration - snake/rope</image:title>
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      <image:title>Illustration</image:title>
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      <image:title>Illustration</image:title>
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      <image:title>Illustration - Chicken Portrait</image:title>
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      <image:title>Illustration - Loteria Estampado</image:title>
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      <image:title>Illustration - strawsign</image:title>
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      <image:title>Illustration</image:title>
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      <image:title>Illustration - Boquet</image:title>
      <image:caption>Watercolor (2015)</image:caption>
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      <image:title>Illustration - Portrait of a Lost Friend</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/702d81b6-fcdc-4e76-a21a-f9d8fa39ef5b/Tectonic+Shifts.png</image:loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1582143166905-PB7CG7QZTDJ0C38W70FY/echo.jpg</image:loc>
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      <image:caption>Echoscope (2019) RedLine Contemporary Art Center — Denver, CO mirror, pressed flowers, willow 5’ x 6’ Echoscope is a sculpture that utilizes organic elements to invite an immersive viewing experience in a kaleidoscopic visual metaphor for an echo chamber. Observing the exploded fractal view inside the chamber creates perceptual echoes--the same type that are packaged into smaller and smaller pathological bubbles of media psychobabble, all sharing a similar thread of polarized and assumed this/that, me/other. In our ever-warming climate of media A.I. and feedback loops enhanced to show and exploit our affinity for reaffirmed constructs, what ripples are echoes.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1582074643994-SEUDNGTX8BCTP3XG3IV1/echoint.jpg</image:loc>
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      <image:caption>Interior view of Echoscope</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1582143245406-310F0X48ZSL4IMGGWDZL/exsitu.jpg</image:loc>
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      <image:caption>Ex Situ (2019) Vicki Myhren Gallery University of Denver, Colorado Mushrooms, Acrylic, Glass I work with ghosts. Utilizing medicinal mushrooms grown into otherworldly shapes via a shifting light source as sculptural source material, these specimens are neither dead nor alive. Interrupting the natural growth patterns of these mushrooms serves as a futile attempt to control the uncontrollable, to fully know the unknowable in nature. However, frozen behind glass - time slows to almost a halt, startling the senses, surprising the mind out of the hallows of habits. And for a brief moment, we are able to see, as a child sees - an ephemeral world of marvels.</image:caption>
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      <image:caption>Ex Situ at Denver Art Museum (2020)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1582078966964-7P6P5VFQAM6RWCRCD9W6/echoscope+2.jpg</image:loc>
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      <image:caption>Echoscope 2 and 1, 1, 2, 3, 5 (2019) Walker Fine Art — Denver, CO Willow, Mirrors, Resin cast flowers For the installation “Echoscope 2,” the mirrors of the teleidoscope, and the aleatoric fractal shapes that emerge echo myriad atavistic forms and unimaginable potential future iterations of seeds and flowers. These invite the viewer/collaborator to witness these marvelously varied elements snapping into sharper focus. Utilizing willows hand-harvested from wild riparian areas and carefully woven; flowers grown and pressed — this work aims to cultivate awareness, encourage an internal dialog, and instill a creative mindfulness that an immersion into these bio-elements and their contrasting industrial-material counterparts can elicit.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1582079303817-BTL7II8VQ1XBN58GPYX5/1.png</image:loc>
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      <image:caption>individual photos of 1, 1, 2, 3, 5 installation</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1582084234990-1SML8O6C2G43MUG5F0QW/dairy.jpg</image:loc>
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      <image:caption>Recollect (2019) Dairy Arts Center — Boulder, CO pressed flowers, mirror Recollect, made of thousands of hand collected/pressed flowers from the Rocky Mountain region, is an expression of our collective atavistic memory. Our inherent attraction to flowers comes partially from a necessity to identify and remember locations of late-season, fresh fruit marked by early spring blossoms. Mirrors signify the universal allure of objects that shine, which would have signaled a water source in ancient times. This installation is a visual articulation of gratitude for how these primitive impulses based on survival, manifest today in recreation, solace and wonderment when connecting to land. image credit: Lauren Click</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1582144112530-DA8DFX08L7TKJP9ZGMDL/DSC00039.JPG</image:loc>
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      <image:caption>Black Gold (2019) Museo de Las Americas — Denver, CO Mixed Media Installation I find divinity in dirt. And dirt is divine. All that is arose through, in, or via this teeming-with-life, granular, stuff of everything, home. Fini. Black Gold is a creative act of ecstatic devotion to soil, ground, earth, dust, mud, humus, loam, clod, suelo, tierra as our often dismissed, central life support system. Ode to Dirt Dear dirt, I am sorry I slighted you, I thought that you were only the background for the leading characters—the plants and animals and human animals. It’s as if I had loved only the stars and not the sky which gave them space in which to shine. Subtle, various, sensitive, you are the skin of our terrain, you’re our democracy. When I understood I had never honored you as a living equal, I was ashamed of myself, as if I had not recognized a character who looked so different from me, but now I can see us all, made of the same basic materials— cousins of that first exploding from nothing— in our intricate equation together. O dirt, help us find ways to serve your life, you who have brought us forth, and fed us, and who at the end will take us in and rotate with us, and wobble, and orbit. Sharon Olds</image:caption>
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      <image:caption>Rerouting (2019) Alto Gallery — Denver, CO Parlor scope, personal objects The images inside the parlor scope serve as a visual metaphor for my habitual overuse of a smartphone: fragmented thought patterns, a limited attention span, and abbreviated focus. Here, I have gathered personal items from my childhood and teenage years that have been singularly replaced by this piece of technology. The smartphone is a revolutionary tool, and it is not inherently harmful. However, I believe that my increased use/dependency over the years has created negative habits in my life. Compulsive checking and switching tasks has prevented me from entering states of deep creative flow and focus. I often catch myself staring at the blank screen like a dopamine-releasing oracle, using it as a crutch in social situations when I feel overwhelmed, bored, awkward and filing any amount of downtime in the day with its blue light. For the duration of this show, I hope to reroute my neural pathways by taking a technology fast from this device -- carefully observing the cost of its convenience and how my habits change without obsessive use.</image:caption>
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      <image:caption>Gather (2018) Buffalo Peaks Ranch at the Rocky Mountain Land Library - Garo, CO willow, horsehair, wild iris pods, pemmican</image:caption>
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      <image:caption>Wander/Wonder (2017) Outdoor installation for Axis Mundi at Platteforum— Denver, CO Mirror, Pressed Flowers 2017 40ft x 40ft This full scale walking labyrinth grown from planted sunflowers, has an unambiguous route to the center and back and presents no navigational challenge, thus the mind is freed from decision making and the very act of walking becomes therapeutic. I chose sunflowers because they clearly exhibit the phenomenon of phototropism - responsiveness to light - a quality shared by humans, deeply rooted in our DNA. Participants can observe the beauty of the sunflowers in their varying stages of development or decay and reflect, remember, grieve, pray or meditate while walking the path. By conducting such a perambulation, this ritual becomes symbolic of a pilgrimage to the center, to the Axis Mundi.</image:caption>
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      <image:caption>Detail from Wander/Wonder (Full scale walking Labyrinth grown from Sunflowers) Part of Axis Mundi Exhibition at Platteforum Denver, CO</image:caption>
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      <image:caption>Land Trust - Rocky Mountain Land Library (2017) RedLine Contemporary Art Center, Denver Ladders, Books, Torn Pages, Wire 30ft x 30ft</image:caption>
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      <image:caption>Dwindle (2017) 965 Gallery at Center for Visual Arts MSU — Denver, CO Embossed Print Panels, Watercolor, India Ink 28' x 11' Dwindle Eileen Roscina Richardson In the late 1880's, over 7,000 apple varieties flourished. Flavors, shapes, colors, and uses we may never again collectively experience. At present, approximately 10 apple varietals comprise nearly 90% of the United States' production -- a fact that greets us squarely in grocers' displays. This mixed media installation is a eulogy to apple varieties that are now extinct, on the verge of extinction, or exist only in Doomsday seed-storage banks. There are about 7,000 individual relief-print apples represented here, an appeal to the alarming volume and rate of their disappearance. The dwindling diversity of our agricultural output is an omnipresent phenomenon. Created by the streamlined, mono-crop industrial approach to growing and supplying food that fits the desirable characteristics of wholesale buyers and sellers: uniform appearance and flavor, maximum shelf-life, ease of storage and transport, we're left with a truncated palette. Do we miss what we never taste? Do the consequences of constricting the orchard--the apple tree and its blossoms and fruits to an ever-shrinking gradient mean more than a lack of selection as consumers? In Orwellian logic, would a language reduced slowly over generations to ten words limit our ability to conceive and communicate dynamic ideas? By presenting a memorial to these apples, I aim to increase the awareness of the thinning of our agricultural diversity; not as a lament, but one focused, tangible prompt to take responsibility for our choices as consumers and growers. You can help create demand for heirloom varieties beyond what exist in local markets and supermarkets by buying directly from farmers, planting apple trees in your own backyard (many varieties grow extremely well in Colorado), saving seeds, and working directly with or contributing to organizations that work towards preserving food diversity.</image:caption>
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      <image:caption>Fixed Flora (2020) Denver Art Museum — Denver, CO pressed flowers, mirror</image:caption>
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      <image:caption>Womxn, rendered (w)hole (2020) Civic Center McNichols Building — Denver, CO mixed media collage 48'“ x 48” Writing for womxn, rendered (w)hole By Courtney E. Morgan She was born from a spoonful of earth, carved from the crust of the world by Mother—who wanted to make something that resembled Herself. But part of the Mother is broken—a cracked and fallen vase spilling out the waters of the world. So too was womxn born cracked, in her image. And the Mother saw her, and proclaimed her Good. But the world is a mirror and around her it cracked and crumbled. And afraid of her ability to crack and yet not crumble, the world around womxn fractured into pieces and opened into a yawning hole—and womxn, walking by, dropped inside. And as she fell, the angry world tore the lips from her mouth, leaving a gaping hole, and tore an eye from its socket, leaving an empty hole, and tore the nipple from her breast, leaving a gaping hole, and tore the voice from her throat, leaving an emptied hole. And womxn landed at the bottom of the gaping hole of the earth, riddled with holes and empty, and unable to cry out from an empty mouth and hollowed voice. With her one eye, womxn began to cry saltwater, and when the tears hit the earth they grew into seeds and the seeds grew into stalks and the stalks grew into babies and the babies grew into womxn and the womxn were full of holes. And the womxn made a ladder of their bodies and the womxn climbed to the lip of the hole and then higher, to the lip of the sky, and then higher, to the mouth of the stars, and one by one they plucked fragments of lit dust like teeth and placed them into the socket of their eyes, and the nipple of their breasts, and the maw of their mouths, and the empty space at their throats. And their holes were still holes, but now full. One by one they climbed down the ladder of themselves. And up the ladder of themselves. And met on the earth and enshrouded it. The holes of them holes filled with stardust. And with their new mouths womxn made a sound. And the sound was the word. And with the word was the world remade.</image:caption>
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      <image:caption>Cultivate (2020) RedLine Contemporary Art Center pressed flowers, wire, table, chairs, live-cultured ferments 15’ x 10’ x 4’ Microbes found in fermentation processes reveal multiple modes of transformation. These microbes are beneficial to the human body and model a process for maintaining healthy, symbiotic relationships that are collaborative, fluid, and generative. What societal changes could take place if we modeled our behavior after these microbes? Using microbiology to cultivate a radically different future diverging from anthropocentrism, I invite community members to ferment with me at this kitchen table, taking part in the transformation of nourishing food while building relationships. These sessions will culminate in a shared, community meal where all of the ferments will be enjoyed.</image:caption>
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      <image:caption>Image credit: Wes Magyar</image:caption>
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      <image:caption>DETH LIGHGHT IV // Coalesce (2020) Denver Art Museum — Denver, CO Collaborative Sculpture with Joshua Ware wood, cast hands, mirrors, screen</image:caption>
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      <image:caption>Iris 36” resin, pressed flowers, gold leaf, ink, glass (2020)</image:caption>
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      <image:caption>Hive in Mind pressed flowers, mirror, resin, gold leaf, paper, ink 2020 36” In response to the 100 year anniversary of the 19th Amendment: I am reminded of the enormous sacrafice that the Suffragettes made so that all women could have equal voice. This mentality, putting self interest aside and working towards the good of the whole, is found in bees and many other places nature and seems very appropriate to our current global crisis.</image:caption>
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      <image:caption>Widening Circles Salina Art Center (2020) pressed flowers, mirror, cyanotype The kitchen is the heart of the home, the center of the circle. In this dreamed kitchen, the wallpaper, made of pressed flowers, is inspired by a voronoi pattern, the way in which bubbles are arranged in nature. This is an indicator of nature’s tendency to favor efficiency: the nearest neighbor, shortest path, tightest fit. This idea leads to the physical and social bubbles we currently live in. Humans are experiencing the impacts of a new world with limited contact and touch. I look ahead to the day when we don’t have to think twice about widening our bubbles, our circles. However, right now, when in the kitchen baking bread, fermenting, or cooking more than usual, bubbles are a sign of life - a sign of hope.</image:caption>
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      <image:caption>cyanotype on cotton rag 20” x 20” (2020)</image:caption>
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      <image:caption>Cyanotype (2021) 30” x 44"</image:caption>
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      <image:caption>Cyanotype Inkblot Tests Cyanotype Series on Bristol 11” x 14” each 2019</image:caption>
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      <image:caption>Shelter (2021) 5ft x 10 ft willow, light bulb Arvada Center - Arvada, CO</image:caption>
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      <image:title>Projects - “The Mirror — Testing the Counter-Anthropocene”</image:title>
      <image:caption>“The Mirror — Testing the Counter-Anthropocene” poem excerpt by Sverker Sörlin</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1619904128854-V6H9KV7FL4IWUK8E82L0/05pd1014.jpeg</image:loc>
      <image:title>Projects - poem excerpt by Sverker Sörlin</image:title>
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      <image:title>Projects - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1670530984919-Z2AXQIQBTD5WCP9NZTXV/ERoscina+Cultivate.JPG</image:loc>
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      <image:title>Projects - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1670532046608-ETJIJ5O4U9X7B24FE2UQ/_MGL1150.jpg</image:loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/6af700e8-d43c-4b4e-88f3-8623b8aa1973/_MGL9463.jpeg</image:loc>
      <image:title>Projects - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1670532827884-3DNIBVG3GESF73PVX1GV/_MGL9465.jpeg</image:loc>
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      <image:title>Projects - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1670533041892-5Y9NVK4ZG88HPL02TFLI/_MGL9499.jpeg</image:loc>
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      <image:title>Projects - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/ce0596ff-babd-4536-a1ef-e364c0353825/Myceliumimage.jpg</image:loc>
      <image:title>Projects - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53288632e4b0d58e0bb4946c/1711409792189-40MII29QY7LXTZ876N3S/DSC07864+copy.jpeg</image:loc>
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